Friday, April 4, 2014

Thomas Burstyn



Thomas Burstyn, Director of Photography, Vancouver Canada 

2013 Nissan NV Commercial Vehicles

Type your summary here
Nissan Commercial Vehicles from Scott Shepard on Vimeo.

Shot on the Arri Alexa using the Zcrane and camera car with Stabilized Flight Head



Director: Tim Baur
Director of Photography: Scott Shepard

Client: Nissan North America

Agency: The Designory, INC.
Creative Director: Carol Fukanaga
Associate Creative Director: Matt Archuleta

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Lexus ES 350


LEXUS ES350 from Thierry Bearzatto on Vimeo.

Director: Thierry Berzatto
Director of Photograrphy: Scott Shepard
Shot on Arri Alexa

2013 Hyundai Veloster Turbo Walk Around


2013 Veloster Turbo | Walkaround from Scott Shepard on Vimeo.

Shot on Arri Alexa supported with a 30' Techno Crane

2013 Hyundai Veloster Turbo
Director: Tim Baur
Director of Photography: Scott Shepard
Client: Hyundai
Agency: Innocean America
Creative Director: Scott Muckenthaler
Associate Creative Director: Hoon Koo

Friday, June 22, 2012

Maserati for Robb Report Magazine

Director: Thierry Bearzatto
Director of Photography: Scott Shepard
Client: Rob Report Magazine
Creative Director: Ken Debie
Art Director: Rufus Agbede

Mazda Sizzle Reel


Director: Tim Baur
Director of Photography: Scott Shepard
Client: Mazda
Agency: GARAGE TEAM
Chief Creative Officer: Harvey Marco, EVP
Creative Director: Kelly Kleibe,
Creative Director: Sandra Luciano

Fujitsu Laptops Parkour


Director: Patrik Giradino
Director of Photography: Scott Shepard
Client: Fujitsu/ Nicole Fontein
Agency: RED GmbH Branding  Design
Creative Director: Michael Mazanec
Art Director: Stephen Currivan

Hyundai Sonata Running Footage

2011 Hyundai Sonata
Director: Timothy Baur
Director of Photography: Scott Shepard
Agency: Innocean
Creative Director: Kelly Kliebe
Art Director: Andrew Reizuck

A More Promising Future – Vandana’s Story


Director: Rodney Rascona
Director of Photography: Scott Shepard
Producer - Phil Tidy
Writer: Russ Haan
Editor - Warren Meneely
Gaffer: Chuck Linkes
Client: United Nations Foundation and The Global Alliance for Clean Cookstoves

    Just one in a series of short films about the the need and effect of clean burning cookstoves on behalf of The United Nations Foundation. These films debuted at The United Nations Conference on Sustainable Development (Rio+20) in Rio De Janeiro, Brazil For most of her life, Vandana used a traditional mud stove to prepare daily meals for her family in Jagdishpur, India here. The smoke from the open fire made it difficult for her children to do their school work inside the house and affected Vandana’s health. Daily exposure to harmful smoke is greatest among women and young children, who spend the most time near open fires tending to the family meal or studying by the weak light of the fire. Vandana wanted a better life for her children.
    Watch this video to see how a clean cookstove has allowed Vandana to prepare her children for a more promising and healthier future.

http://www.cleancookstoves.org/

Sarah's Story- The global impact of clean cookstoves


Director: Rodney Rascona
Director of Photography: Scott Shepard
Producer - Phil Tidy
Writer: Russ Haan
Editor - Warren Meneely
Gaffer: Chuck Linkes
Client: United Nations Foundation and The Global Alliance for Clean Cookstoves

Just one in a seriesof short films about the the need and effect of clean burning cookstoves on behalf of The United Nations Foundation.  These films debuted at The United Nations Conference on Sustainable Development (Rio+20) in Rio De Janeiro, Brazil
     In sub-Saharan Africa, 609 million people cook over an open fire, and women can spend up to 20 hours per week collecting fuel to cook their family meals. Before Sarah was introduced to a clean cookstove, she was no different. The long hours she spent in search of cooking fuel in northern Kenya left her little time to do anything else.

Watch this video and see how a clean cookstove has given Sarah more time to help her children with schoolwork and the confidence set up her own shop.

http://www.cleancookstoves.org/

Monday, April 9, 2012

Clean Cookstoves and The United Nations


Here we go again...

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Monday, June 14, 2010

A hand written note

I ran in to Mannie by pure chance. I was up at AFI listening to his son John give a lecture to a group of young film students. It had been so long since I had seen Mannie. While we talked in the hall I couldn't help but be drawn into the sparkle of life in his eyes. I don't know why I asked if I could photograph him.

We brought Mannie a cup of Starbucks on the morning I photographed him. That was so typical for Mannie, a cup of Joe and a little conversation about life or politics or his grand kids. The shoot was really simple. A white roll of seamless paper taped to the garage door of his house and a camera.

These are the images that John had given to Vivian, his mother.

Mannie Blas

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Wednesday, June 9, 2010

That's alot of cameras

It started with a call from Tim while I was in Haiti. "Hey brother, do ya know anything about the Red?" Just weeks before I had spent two days down at Clairmont Camera doing some work flow and shooting tests and had immersed myself into the deep menus and great mystical settings the Red had offered. "Sure man, what do you want to know?" I replied. "How would you like to come out and DP a Hyundai Sonata video for me?" asked Tim Baur, Director extraordinaire!

2011 Hyundai Sonata

Director: Timothy Baur

Director of Photography: Scott Shepard

Agency: Innocean

Creative Director: Kelly Kliebe

Art Director: Andrew Reizuck


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Wednesday, March 10, 2010

Jacmel

Our first proper tea in our hotel's finest kitchen.


That's my spacious room behind my mug! 1/2 way through our first day of shooting. The 7D keeps overheating and the glue on the viewfinder keeps melting and falling off, but the images and the sound are beautiful.

- Posted from my iPhone

Tuesday, March 9, 2010

Haiti

I will be out of the country on assignment in Haiti for the next few weeks shooting high res stills and HD video in support of an ongoing humanitarian effort. It should prove to be a challenging and rewarding experience.


- Posted from my iPhone

Tuesday, January 5, 2010

Wyn Guitars NAMM Show HD promo


This is a motion project for a custom guitar maker, Wyn Guitars, that I filmed in Los Angeles. It was a live shot capturing the very first moments when Abraham Laboriel and James Lomenzo of Megadeth, received their custom built guitars. What an amazing jam session. The unbelievable location belonged to Randy Fullmer, the owner of Wyn Guitars. It was shot with a Canon 5Dmk2 with ML firmware. On board sound with a Juicedlink CX231 pre-amp. Canon 50mm 1.4 and 24-70mm L 2.8. The final destination will be a HD Flat screen in Wyn's exhibition booth at the NAMM Show which is taking place at the Anaheim Convention Center in Orange county this month.

Tuesday, November 10, 2009

The Few The Proud The Marines

Today marks the 234 Birthday of the United States Marine Corps! Happy Birthday Marines.

Semper Fi


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Thursday, September 3, 2009

Salvatore Totino

Cinemaphotographer Salvatore Totino photographed by Scott Shepard

Over the past year I have been shooting quite a few ads for Clairmont Camera. They have all been part of an ongoing campaign for Clairmont that showcases various Cinematographers in "testimonial" type ads. Our latest Director of Photography was Salvatore Totino. Salvatore has an incredible list of projects as a Cinematographer that include Angels & Demons, Frost/Nixon, The Da Vinci Code, and Cinderella Man.
We had been trying to coordinate with Sal for some time to set up a shoot day but because of everyones hectic work schedulale it looked like it might never happen.
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Monday, August 10, 2009

Frankie

Meet Frankie.  He's a little fella who I had the pleasure of meeting in Meru while we waited for some of the women to return from their wood hauling trip to the forest.



Frankie is about ten or so years old although his eyes made him look much older.  He was the first out a group of kids who had the courage to walk up to me.  I had my camera slung over my shoulder while I was leaning up against the truck.  Frankie's only English was to proudly proclaim his name and ask me mine.  For some reason Kenyan people have a hard time saying Scott.  They try to say it over and over but it just comes out sounding like "Schlott".  "How about Shep", I asked. "Shep" he said perfectly.  From then on out I was to be known as "Shep" across Kenya.  "Hey, whatever" I said, "I've been a Shep since birth".  My father was a Shep, as well as all my brothers and I'm sure my two girls will be also.
Frankie followed me around for a while copying my every move.  It was like playing "stop copying me" with my kids!  Frankie led me over to a brightly covered wall down from where we were stopped and pointed at it and said "picta".  He wanted me to take his picture.  Up until I raised my camera to my eye Frankie was all smiles and laughing every time we looked at each other.  Now his demeanor changed completely. He was very focused and he didn't need any direction.  He knew how he wanted to be portrayed.  I took only two frames and they are identical.  I showed Frankie the image on the back of my Canon and he was very pleased and he looked up at me and nodded and then he just walked away.  The few minutes we stood there the other kids were giggling and pushing each other and it didn't faze Frankie in the least.  After the other kids saw Frankie's picture they started howling and laughing and patting him on the back.  King Frankie walked down the road away from me with his head held high and a trail of his subjects in tow.



Friday, August 7, 2009

It's not a choice, but a necessity.

A young woman with a child on her back, collects firewood to use for cooking fuel. She will then walk many kilometers back to her village only to return later in the day to do it again.



The beginning of a pile of firewood that this young woman will carry on her back along with a child, to her home in her village a great distance away.